Nick Norton dà un paio di consigli ai musicisti per espandere la loro mente musicale:
Listening to and trying to understand as much music as possible, even music that you don’t enjoy, is an incredibly important part of becoming a better and better musician. Different genres make use of different musical processes and ideas, and listeners raised in different traditions pay attention to different markers. Classical training, for instance, teaches us to follow tonal changes and listen for transformations, largely in the realms of pitch and rhythm. No wonder people who grew up steeped in this tradition find radio rock so boring—it does, in rather a lot of cases, tend to repeat the same four chords.
The rock tradition, on the other hand, trains listeners to pay attention to changes in color (here meaning timbre/sound). Those might be the same four chords, but this time they’re distorted, the drummer has moved from a closed high-hat to a crash, and the singer has moved from singing to screaming. Those markers, in rock, can mean the same thing to a rock listener that the move to dominant in a traditional sonata means to a classical listener. A rock listener, moreover, might entirely miss the structural importance of a change in harmony, because it may not be accompanied by a change in instrumentation. It certainly won’t in a piano sonata.
Di questi tempi, tra l’altro, essere onnivori musicali non è né particolarmente difficile né dispendioso, tante sono le piattaforme che offrono musica in streaming:
Today is an amazing time to be a listener with open ears. As we now have a practical means of easily accessing music from all times and all regions (Spotify and YouTube aren’t without their moral quandaries regarding royalties, but they’re a godsend for curious listeners), we have no excuse not to listen to everything we can get our ears on.